[Z] A folio album of private bound 18th & 19th Century sheet music and others

A folio album of private bound 18^th & 19^th Century sheet music and others the volume including: Wine cannot cure; Thomas Beilby, The Dying Negro … formed for promoting an abolition of the slave trade, London: Longman & Broderip [1776-1795]; Dibdin (Charles) Poor Jack, London: Preston & Son, n.d., circa 1790; Dibdin (Charles), Poor Tom …, London: The Author; Jackson (William), When first this humble Roof I knew, London: Preston & Son; Paisello, Whither my love ah! Whither art thou gone, London: Longman & Broderip [1776-1795]; Storace (S.) My native land I bade adieu, London: Longman & Broderip [1776-1795]; James (Charles) Melissa, London: Dale; Beilby (Thomas), The Dying Negro… formed for promoting an abolition of the slave trade, London: Longman & Broderip [1776-1795]; Manuscript score for Prince of Bale’s Minnet; Dibdin (Charles), The Tar for all Weathers, London: The Author; Dibdin (Charles), The Lucky Escape, London: The Author; Joshua, Oh, Had I Jubal’s Lyre, London: J. Bland; Arnold & Pinto, If ‘tis Joy to wound a Lover; Les Adieux de L’infortune Louis XVI a son people, London: Dale’s; Shield, W., The Heaving of the Lead, London: Longman & Broderip [1776-1795]; I know that my Redeemer Liveth, London: J. Dale; Storace (Stephen), The Lullaby, London: J. Dale; ; Dibdin (Charles), The Soldier’s Adieu, London: The Author; He was Despised, Messiah, London: G. Goulding; Kilvington (T.) His Royal Highness Prince William of Gloucester’s March, London: The Author, 1795; Gionovichi, Rondeau; O Dear what can the Matter be, London: Preston & Son; Corri, (D.) My Ain kind Deabie: A Scotch Air, London: C. & Co.; Storace (Stephen) A Plighted Faith, London: Dale’s; Jackson of Exeter, Love in Thine Eyes, London: Bland & Weller; Percy & Antoinette (Marie), The Captive, London: The Author; The Favorite Duett of Jess MacPharlane as sung at the Dillettanti Concerts by Mr Dignum and Mr Hindle; Hook, My Heart is devoted dear Mary to thee … sung by Mr Darley at Vauxhall Gardens, London: Bland; Arnold (Dr.), Oh Happy Tawny Moor, London: Preston & Son; Hook, Sweet Kate the Irish Maid sung by Mr Page at Vauxhall, London: Preston & Son; Carnaby (W.), Song on Peace, London: Sold by Rt Birchall; Haigh (T.), The favorite Air When the Hollow Drum, London: Preston & Son; Dibdin (Charles), The Siege of Troy, London: Preston; Hook, The Wedding Day: A Favourite song sung by Mrs Kennedy at Vauxhall Gardens, London: S. A. & P. Thompson; Pleyel, Tho’ pity I cannot deny: A favorite Song sung by Mrs Crouch in the Haunted Tower, London: Longman & Broderip [1776-1795]; Rimbault (S. F.) The Cottage in the Dell, London: F. Linley; pages 9-12 of A compleat delineation of the Royal procession to St. Paul’s on the 19 of December 1797; Here’s a health to those far away, London: R.t Birchall; Giordani, Queen Mary’s Lamentation sung by Sig. Tenducci at the Pantheon & Mr Abel’s Concert & c, London: J. Preston; Latour, New German Waltz, London: J. Bland; Storace (Stephen), Across the Downs this morning sung by Sig. Storace in No song, no Supper, London: Longman & Broderip [1776-1795]; Gray (J. B.), Oh! Balmy Sleep, London: Tho.s Cahusac; Knyvett, In the Dead of the Night, London: R.t Birchall; Hook, You shall be my Love … sung by Mr Darley at Vauxhall, London: Preston & Son; Sestini, The Gipsy Song; Hook, Henry & Maria or the Soldier’s Farewell, London: Preston; with further manuscript pages including composition by Mrs Siddons, How hard’s the Fate of Womankind, The Confession; Aldiborontiphoscophornio; Last May a braw Wooer; Drops of Brandy; Mozart Air; Tweedside; The Birks of Endermay; The Spectre Song; Lord of all Powers; Pleyel, It may be Love; Callicott, Epitaph; Go to the Devil and shake yourself; Whither a mile of Edinburgh; several blank musical score sheets within marbled paper boards and leather spine; together with Dussek (I.L.) A compleat delineation of the Royal procession to St. Paul’s on the 19 of December 1797, the music for the Piano Forte by I. Dussek to which is added the form of the Church Service with part of the Vocal Music sung at that celebration, London: Printed for Corri. Dussek & Co., [1798], frontispiece by T. King, folio; Introduction, The Acclamation of the People, Coronation Anthem by Handel, , (pages 9-12 bound in the larger volume), The Litany, Sanctus by Robt Hudson, The Communion Service, The Creed, A Voluntary for the Organ by Handel, God Save the King; a volume 19^th century privately collated paper bound sheet music including P. Henrion, Polka, D. Magnus, Royal Schottische, Theodore Oesten, Das Alpenhorn, German Melodies, Golden Pearls, Fleurs Italiennes, G.A. Osborne Roy McGregor, Henry F. Hemy, The Sledge Bell Galop, Oscar Comettant, La Sympathie, Adrien Talexy Aurelia, Alphonse Leduc, L’Ecrin Musical, Fantasies; Away with Melancholy: A Favorite Air or Duet composed by M. Mozart, London: Bland & Wellers Music Warehouse, 23 Oxford Street, n.d. [1793-1818], folio, loose sheet music, 2 leaves, 3pp.